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Four Arthurian Romances: Erec et Enide Erec et Enide¡ÚÅŻҽñÀÒ¡Û[ Chretien de Troyes ]
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¡ÚÅŻҽñÀҤʤ顢¥¹¥Þ¥Û¡¦¥Ñ¥½¥³¥ó¤Î̵ÎÁ¥¢¥×¥ê¤Çº£¤¹¤°Æɤá¤ë¡ª¡Û¡ãp¡äChr?tien's works include five major poems in rhyming eight-syllable couplets. Four of these are complete; 'Erec and Enide' (c. 1170); 'Clig?s' (c. 1176), and 'Yvain, the Knight of the Lion' and 'Lancelot, the Knight of the Cart', both written simultaneously between 1177 and 1181. Chr?tien's final romance was 'Perceval, the Story of the Grail', written between 1181 and 1190, but left unfinished, though some scholars have disputed this. This volume includes a comprehensive set of linked footnotes to deepen the reading experience.¡ã/p¡ä²èÌ̤¬ÀÚ¤êÂؤï¤ê¤Þ¤¹¤Î¤Ç¡¢¤·¤Ð¤é¤¯¤ªÂÔ¤Á²¼¤µ¤¤¡£ ¢¨¤´¹ØÆþ¤Ï¡¢³ÚÅ·kobo¾¦ÉÊ¥Ú¡¼¥¸¤«¤é¤ª´ê¤¤¤·¤Þ¤¹¡£¢¨ÀÚ¤êÂؤï¤é¤Ê¤¤¾ì¹ç¤Ï¡¢¤³¤Á¤é ¤ò¥¯¥ê¥Ã¥¯¤·¤Æ²¼¤µ¤¤¡£ ¢¨¤³¤Î¥Ú¡¼¥¸¤«¤é¤ÏÃíʸ¤Ç¤¤Þ¤»¤ó¡£
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Animal Obsession¡ÚÅŻҽñÀÒ¡Û[ Charles Webster Leadbeater ]
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¡ÚÅŻҽñÀҤʤ顢¥¹¥Þ¥Û¡¦¥Ñ¥½¥³¥ó¤Î̵ÎÁ¥¢¥×¥ê¤Çº£¤¹¤°Æɤá¤ë¡ª¡Û¡ãp¡äWe are familiar with the idea that an ego on its way down into reincarnation may sometimes be drawn aside from its course and indefinitely delayed at astral levels by the attraction of the group-soul of some kind of animal with whose characteristics it is in too close affinity. We know that the same affinity sometimes seizes upon a soul upon the astral plane after death, and detains it in very intimate association with an animal form, and also that as the result of gross cruelty it is possible to be karmically linked to an animal, and to suffer most horribly with it.¡ã/p¡ä²èÌ̤¬ÀÚ¤êÂؤï¤ê¤Þ¤¹¤Î¤Ç¡¢¤·¤Ð¤é¤¯¤ªÂÔ¤Á²¼¤µ¤¤¡£ ¢¨¤´¹ØÆþ¤Ï¡¢³ÚÅ·kobo¾¦ÉÊ¥Ú¡¼¥¸¤«¤é¤ª´ê¤¤¤·¤Þ¤¹¡£¢¨ÀÚ¤êÂؤï¤é¤Ê¤¤¾ì¹ç¤Ï¡¢¤³¤Á¤é ¤ò¥¯¥ê¥Ã¥¯¤·¤Æ²¼¤µ¤¤¡£ ¢¨¤³¤Î¥Ú¡¼¥¸¤«¤é¤ÏÃíʸ¤Ç¤¤Þ¤»¤ó¡£
La tentation de Saint Antoine ( Edition int?grale )¡ÚÅŻҽñÀÒ¡Û[ Gustave Flaubert ]
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¡ÚÅŻҽñÀҤʤ顢¥¹¥Þ¥Û¡¦¥Ñ¥½¥³¥ó¤Î̵ÎÁ¥¢¥×¥ê¤Çº£¤¹¤°Æɤá¤ë¡ª¡Û¡ãp¡äPaul Val?ry avouait un faible pour La Tentation ; nous reconnaissons apr?s lui que ce livre ?trange et unique nous ?blouit et nous s?duit par l¡Ç?vocation de tout ce qui nous manque, de tout ce qui peut solliciter ou surexciter nos facult?s, nous faire enfin mieux comprendre, non pas seulement le r?ve de saint Antoine, mais le r?ve absurde, tragique et d?licieux de la vie.¡ã/p¡ä ¡ãp¡äHant? d?s 1835 par ce th?me que le Ca?n de Byron et le Faust de Goethe avaient d?j? illustr?, Flaubert ?crivit trois versions de ce long po?me cosmique o? l¡Çanachor?te de la Th?ba?de dialogue avec des apparitions successives. Antoine, ?voquant les souvenirs trop vivaces de son pass?, conna?t ? nouveau les tentations d?moniaques : des visions de luxure, les s?ductions du pouvoir ou de la volupt? le sollicitent ; plus troublante encore est l¡Çapparition de son disciple, Hilarion, qui lui pr?sente ¢ã tous les dieux, tous les rites, toutes les pri...
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